| |
Feelings can’t
be bought but provoked. |
Round – square, fire engine red—ultramarine
blue:
How do we see our own film? This question interests not
onlythe authors but also the graphic artists. We define
default
fonts and colours and create an logo that is memorable and
yet
unique. Especially here we must make sure that all communications
devices
are functioning: Both moving and motionless, both large
and small, both coloured
and black and white. Ideally, for instance, the synopsis
should show in the title graphics,
the Internet page, and the posters, etc. We also bring our
passion for multimedia
integrational thinking to other external projects.
| |

About 750 members strong, the AG DOK is the largest
union of non-television authors, directors and producers
in Germany. It functions as political lobbyist for
documentary film and media. Celebration of the 25
year anniversary of the AG DOK was realised, with
the help of the office of SchmittTeigler, and took
place under the roof of OVAL Films. The book is entitled
„Die Verteidigung des Realen“ (“In
Defence of Reality”) and debuted at the Leipzig
Documentary and Animation Film Festival in October
of 2005. Since then, OVAL has been responsible for
a good many creations for the AG DOK such as advertising,
brochures, mailing material as well as the design
for the German Documentaries Catalog.
|
|
| |
Bollywood goes Europe – And How! Marco Wilms’
documentary "Tailor Made Dreams" tells the
story of an Indian tailor on an adventure in Europe.
The posters and postcards have the look of Bollywood,
with strong colors and unusual typesettings.
|
|
| |
Michaela
Kirst and Frauke Levin led the co-productions gathering
"Across the Atlantic" in New York. The most
important independent documentary film producers from
the US and Germany came together on the third of February
in the German consulate, thanks to the initiative
of German Films, AG DOK and IFP. The meeting has given
new impulses for a stronger transatlantic co-operation.
This Logo, obviously stemming from the event, cleary
and concisely stresses the goal of the presentation:
Daring to jump across the Atlantic.
|
|
| |
The
Golden 20’s
The dossier „The Golden 20’s“ captivates
with an independent graphic speech, which underscores
the surreal and humorous character of the story.
|
|
| |
| Estonia –
Mon Amour/ My Love |
For Director Sybille Tiedemann’s film „Estonia—Mon
Amour“ a key visual had to be developed that
would be distinguished by its strong recognisability
and thus enliven different communications media such
as posters and postcards.
|
|
| |
"risingstar film- und videoproduktion"
(rising star film and video production) is a young,
innovative firm located in Berlin.
The company’s appearance suggests its modern,
professional and uncomplicated working atmosphere.
The concept of the logo must be both strong and dynamic
such that it dominates as a key visual which infuses
itself through all communication media. For its Internet
appearance it was effective to highlight the company
values in combination with strong visual images.
We only suggested logos to rising star that can be
easily animated as the next step.
This seemed to us to be important for the credits
of the films created by the company.
|
|